{"version":"1.0","provider_name":"Sh\u014dz\u014d Shimamoto","provider_url":"https:\/\/www.shozoshimamoto.org\/en\/","title":"Artistic Experience as a Poetic Experience of Thinking - Romano Gasparotti - Sh\u014dz\u014d Shimamoto","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"nojXTRUjI0\"><a href=\"https:\/\/www.shozoshimamoto.org\/en\/critical_essays\/2347\/\">Artistic Experience as a Poetic Experience of Thinking &#8211; Romano Gasparotti<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.shozoshimamoto.org\/en\/critical_essays\/2347\/embed\/#?secret=nojXTRUjI0\" width=\"600\" height=\"338\" title=\"&#8220;Artistic Experience as a Poetic Experience of Thinking &#8211; Romano Gasparotti&#8221; &#8212; Sh\u014dz\u014d Shimamoto\" data-secret=\"nojXTRUjI0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.shozoshimamoto.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"1. Art As A Globalisation Of Meetings Sh\u014dz\u014d Shimamoto\u2019s first paintings, shown in 1946 at the Hole Showa 21, are called Hole, referring to an opening or breech. Insistence on \u201choles\u201d precedes, accompanies and follows (at least up to the Papers of 1985) the act of foundation in Osaka in 1954 of the GUTAI group,... Read more &raquo;"}