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SHOZO SHIMAMOTO Curated by Martina Cavallarin Castello di Carovigno Introduction<\/p>\n On the occasion of the 2011 anthological exhibition dedicated to Shozo Shimamoto, a leading figure in international contemporary art as well as a member and founder of the Gutai Group, Achille Bonito Oliva stated \u201cIn his pictorial and performative works, Shozo Shimamoto uses distance to target shoot at painting, which is the real object of his creative process.\u201d And SHOZO SHIMAMOTO, a bersaglio con la pittura is the chosen title to lead the visitor to experience the art works of the great Japanese artist, which are hosted for the first time in Puglia. The castle of Carovigno becomes a suggestive stage that puts the viewer in dialogue with Shozo Shimamoto\u2019s installations, sculptures and paintings. The exhibition builds a scenic space where to search for details, to seek out special features, to let colours and shapes sink in, to bring back the free action of paint on the surface of existence founded on the totalising experience of Gutai art. Shimamoto\u2019s poetic and artistic approach is both multicultural and interdisciplinary, it is subjective and intimate as much as it is relational and participatory.<\/p>\n SHOZO SHIMAMOTO, a bersaglio con la pittura is an event promoted by Le Colonne Association. Le Colonne is committed to the promotion and enhancement of the local artistic and cultural heritage and manager of the castle. It is directed and organised by Unlike Unconventional Events, which organises unconventional events, workshops, festivals, urban art, exhibitions and temporary shops. It is held in partnership with Fondazione Morra of Naples and Shozo Shimamoto Association. Based in the eighteenth-century Palazzo Spinelli di Tarsia in Naples, the Association’s aim is to promote and support Shozo Shimamoto\u2019s artistic research through the publication of catalogues, videos and documentaries and the organisation of exhibitions and events.<\/p>\n The exhibition<\/p>\n The exhibition assumes the magical territory of the encounter between subjectivities, experiences and cultures. Symbol and heart of this turn is the emblematic platform. It invites the visitor to connect with Shimamoto\u2019s artistic practice and physically perform an action by throwing bottles, which break on the ground and explode in colour – red, blue, green, yellow. On this artistic practice, taken up by Shimamoto since the very beginning of is research as a leitmotif of his entire production, Lorenzo Mango recalls in a text entitled \u201cPer una forma libera del colore\u201d: \u00ab[\u2026] In 1957, Shimamoto would formulate this conviction in an article\/manifesto with an emblematic title, Per una messa al bando del pennello, in which he argued that the \u201ctraditional\u201d technique (of all traditions ideally united in the example of the Renaissance) had ended up mortifying the material and autonomously expressive quality of colour, bending it to purposes that were extraneous to its nature. \u201cI believe,\u201d he wrote, \u201cthat the first thing to do is to free colour from the brush. If in the process of creating one does not throw away the brush, there is no hope of emancipating colour\u201d, which instead was what he set out to do by giving colour what belongs to colour, in other words, its being a material thing of light. Shimamoto\u2019s transgressive act, his betrayal of technique and conventions could take totally eccentric paths in relation to painting, as we have seen in the examples just cited, but above all it became the hypothesis of a new painting practice strategy, which resulted in an alternative way of working with the brush. In 1956, for the first time, Shimamoto performed the action of throwing bottles filled with paint onto a canvas. It is a gesture that he will repeat countless times over the years and that still characterises the act of his \u201cpainting\u201d today. With that gesture Shimamoto reacted to all possible forms of painting, to all constructed models of form. Throwing bottles filled with paint and making them explode against the surface of a canvas lying on the ground, the so-called \u201cbottle crash\u201d, determines an unpredictable situation, an event whose setting can be directed, planned, meditated upon and even planned, but which then, in the moment of its occurrence, is totally free. [\u2026]\u00bb This project activates an effective poetic of diachronic and synchronic sharing and exchange between different histories and distant geographies. SHOZO SHIMAMOTO, a bersaglio con la pittura is an exhibition of contemporary art that creates a new reality through the works on display. This reality is architected through experiments and elaborations of creative processes that move through the space and time of the exhibition and the time of the encounter between viewer and art work. The attempt is to develop a meeting place in which to question the rules of the game.<\/p>\n Curated by Martina Cavallarin Under the patronage of: Thanks to the contribution of: Castello di Carovigno
\nA BERSAGLIO CON LA PITTURA<\/a><\/strong><\/p>\n
\nCo-curated by Antonio Caruso
\nOrganised by Unlike Unconventional Events
\nPromoted by Associazione Le Colonne
\nCultural Coordination by Christian Leo Comis
\nIn partnership with Associazione Shozo Shimamoto and Fondazione Morra, Naples<\/p>\n
\n5th of August – 29th of October 2023
\nOpening 4th of August, 6.00 – 9.00 p.m.<\/p>\n
\nShimamoto\u2019s works selected for the exhibition cover a wide time frame, providing a dense and insightful synthesis of his artistic practice and conceptual poetics. The two platforms \u201cPrego camminare sopra\u201d date back to 1955; \u201cA Weapon for Peace\u201d from 2006 is an important acrylic on canvas; the four water paintings on felt \u201cFelissimo\u201d are from 2007; the two acrylic sculptures on plaster statue \u201cPsiche di Capua\u201d and \u201cVenus\u201d are from 2008. Also dating from 2008 are three imposing and colourful acrylics on canvas: \u201cPunta Campanella 32\u201d, \u201cFerretto 12\u201d, \u201cFerretto 14\u201d; dating from the following year is the series \u201cRed\u201d, presenting ten works reassembled as they were originally created for the performance.<\/p>\n
\nCo-curated by Antonio Caruso
\nOrganised by Unlike Unconventional Events
\nPromoted by Associazione Le Colonne
\nCultural Coordination by Christian Leo Comis
\nIn partnership with Associazione Shozo Shimamoto and Fondazione Morra, Naples<\/p>\n
\nComune di Carovigno
\nDyaloghi, Universit\u00e0 degli Studi di Padova<\/p>\n
\nNever Before – Blum
\nVilplastik
\nMAG Broker di assicurazioni
\nVilla Agreste, Ostuni
\nCANNEBIANCHE_ LIFESTYLE HOTEL, Fasano
\nIngrame Tours
\nGH Dimora Sant\u2019Anna, Carovigno<\/p>\n
\n5th of August – 29th of October 2023
\nOpening 4th of August, 6.00 – 9.00 p.m.<\/p>\n